LIVE  @  THE  EXCHANGE

LIVE @ THE EXCHANGE
Big Paddy's third album, the live album, has finally been released!  It was recorded at The Exchange Tavern on August 29th of 2008, with a hopping crowd of fans and newcomers alike.  It was a roarin' good time, and we've got some video from it as well!


Guitars, Mandolin, Banjo, Bodhran: Jon Sherman
Vocals & Percussion: Sean Michael Kayo Gaughan
Release Date: November 7th 2008
Recorded At: The Exchange Tavern, Westminster CO
Our Thanks To: Teddi, Gary, Corey, James, and Thea at The Exchange Tavern; Park & Nate at Audio Park Studio; Hugh at Tapes Again; webmaster Nathan Graham; plus Swan Ink, Josh Burleson of HD Denver, and last but by no means least OUR BELOVED FANS!


Songlist:
  1. "Sam Hall" ~ traditional  
  2. "Star Of The County Down" ~ traditional  
  3. "A Pinch O' Snuff (instrumental)" ~ traditional  
  4. "Finnegan's Wake" ~ traditional
  5. "Drunken Sailor" ~ traditional  
  6. "Donegal Express" ~ originally by Shane MacGowan  
  7. "Folsom Prison Blues" ~ originally by Johnny Cash  
  8. "What's Left Of The Flag" ~ originally by Flogging Molly  
  9. "Come Out Ye Black & Tans" ~ traditional    
  10. "The Raggle-Taggle Gypsy" ~ traditional  
  11. "Nancy Whiskey" ~ traditional
  12. "Bottle Of Smoke" ~ originally by The Pogues
  13. "A Man You Don't Meet Every Day" ~ originally by The Pogues  
  14. "Big Paddy Blues" ~ by Big Paddy










1. SAM HALL - a traditional song (also performed by Johnny Cash)

Well, my name is Sam Hall, chimneysweep, chimneysweep
Yes, my name is Sam Hall, chimneysweep
My name is Sam Hall, and I’ve robbed ‘em great and small
And my neck’ll pay fer it all, when I die, when I die
And I hate you one and all, s’ damn your eyes!

See, it all went like this:

They said I killed a man they said, so they said, so they said
I killed a man they said, so they said
Well I killed a man they said, said I bashed his bloody head
With a great big lump of lead, damn their eyes, damn their eyes
With a great big lump of lead, damn their eyes!

So they put me in the quad, in the quad, in the quad
They put me in the quad, in the quad
Beat iron bars with iron rods
And they left me there to die, damn their eyes, damn their eyes
And they left me there to die, damn their eyes!

Well the parson he did come, he did come, he did come
The parson he did come, he did come
Well the parson he did come, and he looked so fuckin’ glum
And he talked ‘til Kingdom Come, damn his eyes, damn his eyes
And he can kiss my fuckin’ bum, damn his eyes!

So I went to Palden Hill, in a cart, in a cart
I went to Palden Hill, in a cart
Well, I went to Palden Hill and I said “God, I’ve had my fill!”
And I tied the rope right well, damn their eyes, damn their eyes
On top of Palden Hill, damn their eyes!

Well, the sheriff, he came too, he came too, he came too
The sheriff, he came too, he came too
Well, the sheriff he came too, with all his bloody boys in blue
And all his fuckin’ crew, damn their eyes, damn their eyes
They said, “Sam we’ll see you through, damn your eyes!”

I saw Molly in the crowd, in the crowd, in the crowd
I saw Molly in the crowd, in the crowd
I saw Molly in the crowd, and I shouted right out loud
I said, "Now Molly, aren't you proud? Damn your eyes, damn your eyes!"
I said, "Now Molly, aren't you proud? Damn your eyes!"

But up this ladder I did go, it’s no joke, it’s no joke
Up this ladder I did go, it’s no joke
Up this ladder I did go, and the hangman pulled the rope
And these little words I spoke, tumbling down, tumbling down
And these little words I spoke, tumbling down:

Well, my name is Sam Hall, chimneysweep, chimneysweep
Yes, my name is Sam Hall, chimneysweep
My name is Sam Hall, and I’ve robbed ‘em great and small
And my neck’ll pay fer it all, when I die, when I die
And I hate you one and all, s’ damn your eyes!

And my name is Sam Hall, damn your eyes...


History: "Sam Hall" was adapted from an earlier song called 'Jack Hall', about a British chimney sweep who was hanged for burglary in 1701.  The song has been recorded many times, with many variations in the lyrics.



















2. STAR OF THE COUNTY DOWN - (traditional)

Near Banbridge Town, in the County Down,
One morning last July,
Down a bóithrín green came a sweet colleen,
And she smiled as she passed me by.
She looked so neat, from her two bare feet
To the sheen of her nut-brown hair,
Such a coaxing elf, sure, I shook myself
To make sure I was standing there.

                  From Bantry Bay up to Derry Quay,
                  And from Galway to Dublin Town,
                  No maid I've seen like the brown colleen
                  That I met in the County Down.


As she onward sped, sure I turned my head
And I gazed with a feeling rare
And I says, says I, to a passer-by:
"Who's the maid with the nut-brown hair?"
He smiled at me, and he says, says he,
"That's the gem of old Ireland's crown.
Sweet Rosey McCann from the banks of the Bann,
She's the Star of the County Down".

She'd a soft brown eye and a look so sly,
And a smile like the rose in June
And you hung on each note from her lily-white throat,
As she lilted an Irish tune
At the pattern dance, you were held in a trance,
As she tripped through a reel or a jig;
And when her eyes she'd roll, she'd coax, on my soul,
A spud from a hungry pig.

I've traveled a bit, but I never was hit
Since my roving career began;
But fair and square, I surrendered there
To the charms of young Rose McCann.
I'd a heart to let, and no tenant yet
Though I'd searched countryside and town;
But in she went, and I asked no rent
From the Star of the county Down.

At the harvest fair she'll be surely there
So I'll dress in my Sunday clothes.
With my shoes shone bright, and my hat cocked right
For a smile from my nut-brown Rose.
No horse I'll yoke, no pipe I'll smoke
Though my plough with the rust turn brown,
Till a smiling bride by my own fireside
Sits the Star of the County Down.



History: This old and intricately-rhymed Irish ballad shares its melody with the church hymn "Led By the Spirit" and many other works as well, which is typical among traditional folk tunes.  


















3. A PINCH O' SNUFF - a traditional

instrumental

History: Coming soon



























4. FINNEGAN'S WAKE - (traditional)

Tim Finnegan lived on Walkin Street,
A gentle Irishman mighty odd
He'd a beautiful brogue both rich and sweet,
And to rise in the world he carried a hod;
Now Tim had a sort of tippler's way,
With a love of the liquor poor Tim was born,
And to help him on his way each day
He'd a drop of the creature every morn.

Whack-fol-le-dol, now,
Dance wi' your partner,
Round the floor you trot and shake
Wasn't it the truth I told you?
Lots of fun at Finnegan's wake...


One morning Tim got rather full,
His head felt heavy which made him shake;
Fell from a ladder and he broke his skull,
And they carried him home his corpse to wake!
Rolled him up in a nice clean sheet,
and laid him out upon the bed;
A bottle of whiskey at his feet,
and a barrel of porter at his head!

His friends assembled at the wake,
and Widow Finnegan called for lunch;
First she brought in tea and cake,
then pipes, tobacco and whiskey punch!
Biddy O'Brien began to cry,
"Such a nice clean corpse, did you ever see?
Tim, mavourneen! Why did you die?",
"Will ye hould your gob?" said Paddy McGee!

Then Maggie O'Connor took up the cry,
"O Biddy," says she, "you're wrong, I'm sure!"
Biddy gave her a belt in the gob,
and sent her sprawling on the floor!
Then the war did soon engage:
t'was woman to woman and man to man,
Shillelagh law was all the rage,
and a row and a ruction soon began!

Mickey Maloney ducked his head
when a bucket of whiskey flew at him;
It missed, and falling on the bed,
the liquor scattered over Tim...
Bedad, he revives, see how he rises!
Tim Finnegan rising from the bed,
Cryin' "Throwin' your whiskey around like blazes --
t'underin' Jaysus, do ye think I'm dead?"



History: This song likely was written in the 1850s.  Walkin Street is located in Kilkenny City in Ireland, though it has been renamed Friary Street.  This is a song about uisce beatha (whiskey), in which whiskey causes both the fall and the ressurection of our man Tim.  James Joyce wrote a novel in 1939 that took this old street song and made it a symbol of universal potential for redemption -- he took out the apostrophe, as in, "Finnegans, wake!"  May we all experience the miracle that Tim himself experienced, which is to say, drinking enough whiskey to fall down, but being lucky enough to rise back up again.


















5. DRUNKEN SAILOR - (traditional)

Oh, what do you do with a drunken sailor?
What do you do with a drunken sailor?
What do you do with a drunken sailor,
Earl-igh in the morning?

     Weigh-hey (up she rises!)
     Weigh-hey (up she rises!)
     Weigh-hey (up she rises!)
     Earl-igh in the morning!


Shave his balls with a rusty razor,
Shave his balls with a rusty razor,
Shave his balls with a rusty razor,
Earl-igh in the morning!

     Weigh-hey (up she rises!)
     Weigh-hey (up she rises!)
     Weigh-hey (up she rises!)
     Earl-igh in the morning!


Put him in the hold with the Captain's daughter,
Put him in the hold with the Captain's daughter,
Put him in the hold with the Captain's daughter,
Earl-igh in the morning!

Oh, what do you do with a drunken sailor?
What do you do with a drunken sailor?
What do you do with a drunken sailor,
Earl-igh in the morning?

     Weigh-hey (up she rises!)
     Weigh-hey (up she rises!)
     Weigh-hey (up she rises!)
     Earl-igh in the morning!


Throw him in the lock-up 'til he's sober,
Throw him in the lock-up 'til he's sober,
Throw him in the lock-up 'til he's sober,
Earl-igh in the morning!

     Weigh-hey (up she rises!)
     Weigh-hey (up she rises!)
     Weigh-hey (up she rises!)
     Earl-igh in the morning!


Oh, what do you do with a drunken sailor?
What do you do with a drunken sailor?
What do you do with a drunken sailor,
Earl-igh in the morning?

     Weigh-hey (up she rises!)
     Weigh-hey (up she rises!)
     Weigh-hey (up she rises!)
     Earl-igh in the morning!




History: Drunken Sailor was a sea shanty (work song) often sung when raising a sail or raising the anchor, which is the reference for “Up She Rises” in the song’s chorus.  Such songs were the only ones allowed in the Royal Navy.  Most often, only two or three verses were sung but verses were often added until the task was completed.  The air was taken from a traditional Irish dance and march tun, "Oró Sé do Bheatha 'Bhaile", and is in the dorian mode.


















6. DONEGAL EXPRESS - by
Shane MacGowan & The Popes (MS)

Who dares to speak of Donegal
You get kicks in the bars and kicks in the balls
The harp that played in Tara's halls
Is burning on the dump;

Virginia is a gin town,
Belturbot is a sin town
And all the boys from Skintown
Are in England on the lump!

Got pissed in Letterkenny,
With darlin' sportin' Jenny
Spent me very last penny,
And we made it in the press;

The husband caught me in the bed,
And tried to shoot me in the head
Had to swim the stream to get
The Donegal Express!

Kahaya! (You fuck!)
Come hell or high water
I might have fucked your missus,
But I didn't fuck your daughter!
Fol-diddle-dee-ay
Fol-diddle-dee-ay...


As sure as I'm Father Emmett,
I've a King Dong down me Semmett
As any girl will tell you,
From Cavan down to Clare;

Back in sweet Virginia,
In the toilet with Lavinia
I nearly fucked her brains out,
And tore her party dress!

A shit, a shave, a shower,
And half a pint of Powers
Then off again to get on board
The Donegal Express!

Kahaya! (YOU FUCK!)
Come hell or (HIGH WATER)
I might have fucked your missus,
But I didn't fuck your daughter!
Fol-diddle-dee-ay
Fol-diddle-dee-ay


Kahaya!
(YOU FUCK!)



History: A typically rowdy and obscene Shane MacGowan tune, this one.


















7. FOLSOM PRISON BLUES - by
Johnny Cash (below as sung by Big Paddy)

Well, I hear that train a-comin',
It's rollin' round the bend
I ain't seen the sunshine, since
I don't know when
I've been stuck in Folsom Prison,
Time keeps draggin' on
I hear that lonesome whistle blowin',
All the way to San Antone...

When I was just a baby,
My mama told me "Son,
always be a good boy,
Don´t ever play with guns!"
But I shot a man in Reno,
Just to watch him die
Now every time I hear that whistle,
I hang my head and cry...

I bet there's rich folks eating
In a fancy dining car
They're probably drinkin' whiskey,
And smokin' big cigars.
Well I know I had it coming,
I know I can't be free
But those people keep a movin'
And that's what tortures me...

Well if they'd free me from this prison,
If that railroad train was mine
I bet I'd move just a little further,
Just a little further down the line
Far from Folsom prison, baby
That's where I want to stay
And I'd let that lonesome whistle blowin'
Blow my blues away!



History: This song was written by Johnny Cash in the early 1950s, and recorded by him and his trio in 1956.  It combines the train song and the prison song, two staples that were vital to both country music and Cash's career.  Folsom Prison is located near Sacramento, CA, and though many assume the "killed a man in Reno" line refers to Reno Nevada, it is more likely to be Reno California, since the time is served at Folsom.  Cash performed and recorded a version of the song actually in Folsom Prison, on January 13, 1968 -- in fact, he opened with it.  Johnny Cash never actually served time in prison.


















8. RAISE WHAT'S LEFT OF THE FLAG - by
Flogging Molly (MS)

His eyes they closed, and his last breath spoke
he had seen all to be seen
A life once full, now an empty vase
Wilt the blossums on his early grave
Walk away me boy, walk away me boy,
And by mornin' we'll be free;
Wipe that golden tear from your mother dear,
And raise what's left of the flag for me!

Then the rosary beads, count them one, two, three!
Fell apart as they hit the floor
In our garb of black, we must pay respect
To the colour we're born to mourn.
Walk away me boys, walk away me boys,
And by morning we'll be free;
Wipe that golden tear from your mother dear,
And raise what's left of the flag for me!

In his place there grew an angry festered wound,
Filled with hatred and remorse
Where I'd pick and scratch till the blood it matched
The silent rage now that fills my lungs.
For there are many ways to kill a man they say,
With bayonet, axe, or sword
But son, a bullet fired from a shapeless guise
Leaves but the shell of a Thompson gun.

Walk away me boys, walk away me boys!
And by morning we'll be free.
Wipe that golden tear from your mother dear,
And raise what's left of the flag for me!

From the East out to the Western shore,
Where many men and many more will fall;
But no angel flies with me tonight,
Till freedom reigns on all.
And curse the name for which we slaved our days,
Till every man shall his kingdom come!

But sure as night turns day
Ends the passion play,
Oh my god what have they done?
With madman's rage, well they dug our graves,
But the dead rise again you fools!

Walk away me boys, walk away me boys,
And by morning we'll be free --
Wipe that golden tear from your mother dear,
And raise what's left of the flag for me!

Walk away me boys, walk away me boys
And by morning we'll be free...
Wipe that golden tear from your mother dear,
And raise what's left of the flag for me!



History:


















9. COME OUT YE BLACK & TANS - originally by Dominic Behan

I was born on a Dublin street, where the Royal drums do beat
And the loving English feet, they stomped all over us
And each and every night, me father'd come home, and tight -
He'd invite the neighbors outside with this chorus:

Come out you black and tans,
Come out and fight me like a man!
Show the wife the medals that you won in Flanders
Tell them how the IRA made you run like hell away,
From the green and lovely lanes in Killashandra!

Come let me hear you tell
How you slammed the great Pernell,
When you fought them well and truly persecuted
Where are the smears and jeers
That you bravely let us hear
When our heroes of sixteen were executed?

Come out you black and tans,
Come out and fight me like a man!
Show the wife the medals that you won in Flanders
Tell them how the IRA made you run like hell away,
From the green and lovely lanes in Killashandra!

Come tell us how you slew
Those brave Arabs two by two,
Like the Zulus had their spears and bows and arrows
How you bravely slew each one
With your sixteen pounder gun,
And you frightened them poor natives to their marrow.

Come out you black and tans,
Come out and fight me like a man!
Show the wife the medals that you won in Flanders
Tell them how the IRA made you run like hell away,
From the green and lovely lanes in Killashandra!

Well, the day is coming fast,
And the time here at last
When each yeoman step aside before us,
And if there be a need
Sure my kids will sing, "Godspeed!"
And sing a verse of Stephen Behan's chorus:

Come out you black and tans,
Come out and fight me like a man!
Show the wife the medals that you won in Flanders
Tell them how the IRA made you run like hell away,
From the green and lovely lanes in Killashandra!

Come out you black and tans,
Come out and fight me like a man!
Show the wife the medals that you won in Flanders
Tell them how the IRA made you run like hell away,
From the green and lovely lanes in Killashandra!


History: The "Black and Tans" was the nickname for the Royal Irish Constabulary Reserve Force, who were distinguished by the black and tan uniforms they wore.   Due to the ferocity of the Tan's behaviour in Ireland and the atrocities which they committed, feelings continue to run high regarding their actions; "Black and Tans" or "Tans" remains a pejorative term for Englishmen in Ireland.

Dominic Behan was was an Irish songwriter, short story writer, novelist and playwright, whose uncle wrote the Irish National Anthem, and whose mother was a political activist and a personal friend of Michael Collins.  Dominic's brother Brendan was also a writer and playwright, but was known for poetry rather than songwriting.  Another brother, Brian, was a radical political activist and public speaker, as well as an actor, author, and playwright.  Dominic wrote this song about their father Stephen.  Stephen Behan initially trained as a Jesuit priest in order to teach, but shortly before taking vows was found in a compromising position with a young woman and was thus required to leave the Jesuit order.  He later became one of Michael Collins' "Twelve Apostles", who were responsible for assassinating British Army officers during the Anglo-Irish War.  However, Stephen Behan refused to take an oath of loyalty to the Irish Free State, which resulted in his exclusion from the teaching profession for which he'd trained, and ultimately led to a life of comparative hardship.


















10. THE RAGGLE-TAGGLE GYPSY - traditional

There were three gypsies a-come to my door
And they came brave and boldly-o!
One sang high and the other sang low
And the other sang a raggle taggle gypsy-o!

It was upstairs downstairs the lady went
put on her suit of leather-o
And there was a cry from around the door
she's away wi' the raggle taggle gypsy-o

It was late that night when the Lord came in
enquiring for his lady-o
And the servant girl she said to the Lord
"She's away wi' the raggle taggle gypsy-o"

"Then saddle for me my milk white steed
- my big horse is not speedy-o
And I will ride till I seek my bride
she's away wi' the raggle taggle gypsy-o"

Now he rode East and he rode West
he rode North and South also
Until he came to a wide open plain
it was there that he spied his lady-o

"How could you leave your goose feather bed
your blankeys strewn so comely-o?
And how could you leave your newly wedded Lord
all for a raggle taggle gypsy-o?"

"What care I for my goose feather bed
wi' blankets strewn so comely-o?
Tonight I lie in a wide open field
in the arms of a raggle taggle gypsy-o"

"How could you leave your house and your land?
how could you leave your money-o?
How could you leave your only wedded Lord
all for a raggle taggle gypsy-o?"

"What care I for my house and my land?
what care I for my money-o?
I'd rather have a kiss from the yellow gypsy's lips
I'm away wi' the raggle taggle gypsy-o!"


History: This song, though it is popular in Ireland, is of Scottish origin; it tells of a noble lady living a life of comfort and leisure who runs off with the gypsies.  The song is thought to be written about an actual event.  Here is
a slightly different version.



















11. NANCY WHISKEY (THE CARLTON WEAVER) - a traditional Scottish folk song

As I went down to Glasgow city,
To see what I would spy
What should I see but lovely Nancy,
Come and drink a little rye

Whiskey, whiskey, Nancy Whiskey
Whiskey, whiskey, Nancy O
Whiskey, whiskey, Nancy Whiskey
Whiskey, whiskey, Nancy O!

Well I bought one drink and had another
Ran out o' money, so I did steal
She ran me ragged, that Nancy Whiskey,
Seven years of runnin' weird!

Whiskey, whiskey, Nancy Whiskey
Whiskey, whiskey, Nancy O
Whiskey, whiskey, Nancy Whiskey
Whiskey, whiskey, Nancy O!

The more I held her the more I loved her,
Nancy had her spell on me
All I knew was lovely Nancy,
An' the things I needed I could not see

Whiskey, whiskey, Nancy Whiskey
Whiskey, whiskey, Nancy O
Whiskey, whiskey, Nancy Whiskey
Whiskey, whiskey, Nancy O!

You know, as I arose to slake my thirst,
I dragged Colin from the bed
Fell to flat, I could not stagger
Nancy had me by the legs!

Whiskey, whiskey, Nancy Whiskey
Whiskey, whiskey, Nancy O
Whiskey, whiskey, Nancy Whiskey
Whiskey, whiskey, Nancy O!

Well now, come on landlady
Tell me what there is to pay:
Fifteen shillings, that's the reckonin'
Pay it quickly, now go away!

Whiskey, whiskey, Nancy Whiskey
Whiskey, whiskey, Nancy O
Whiskey, whiskey, Nancy Whiskey
Whiskey, whiskey, Nancy O!


History: Coming soon



















12. BOTTLE OF SMOKE - by
The Pogues (MS)

Thanks and praises, thanks to jesus -
I bet on the Bottle of Smoke;
I went to hell, and to the races -
To bet on the Bottle of Smoke.

The day being clear, the sky being bright
He came up on the left, like a streak of light;
Like a drunken fuck on a Saturday night -
Up came the Bottle of Smoke.

Twenty-fucking-five-to-one,
Me gambling days are done!
I bet on a horse called the Bottle of Smoke
And MY HORSE WON!


Stewards inquiries, swift and fiery -
I had the Bottle of Smoke;
Inquisitions and suppositions -
I had the Bottle of Smoke!

Fuck the stewards, a trip to Lourdes
Might give the old fuckers the power of sight;
Screaming springers 'n' stoppers and call out coppers,
But the money still gleams in my hand like a light!

Bookies cursing, cars reversing -
I had the Bottle of Smoke;
Glasses steaming, vessels bursting -
I had the Bottle of Smoke!

Twenty-fucking-five-to-one,
Me gambling days are done!
I bet on a horse called the Bottle of Smoke
And MY HORSE WON!


Slip a fifty to the wife,
And for each brat a crisp new five,
To give me a break on a Saturday night -
When I had the Bottle of Smoke.

Priests and maidens, drunk as pagans!
They had the Bottle of Smoke;
Sins forgiven, and celebrations!
They had the Bottle of Smoke.

Fuck the yanks, and drink their wives
The moon is clear, the sky is bright!
I'm happy as the horses, shite -
Up came the Bottle of Smoke!

Twenty-fucking-five-to-one,
Me gambling days are done!
I bet on a horse called the Bottle of Smoke
And MY HORSE WON!




History: A day at the races never sounded so good.


















13. A MAN YOU DON'T MEET EVERY DAY - traditional

Oh, my name is Jock Stewart,
I'm a canny gaun man,
And a roving young fellow I've been.
So be easy and free,
When you're drinking with me,
I'm a man you don't meet every day.

I have acres of land,
I have men at command,
I have always a shilling to spare.
So be easy and free,
When you're drinking with me,
I'm a man you don't meet every day.

So come fill up your glasses
With brandy and wine,
What ever it costs, I will pay.
So be easy and free,
When you're drinking with me,
I'm a man you don't meet every day.

Oh, I took up my dog,
And him I did shoot,
All down in the County Kildare.
So be easy and free,
When you're drinking with me,
I'm a man you don't meet every day.

I'm a roving young blade
I'm a piper by trade
And there's many the tunes I can play.
So be easy and free
when you're drinking with me
I'm a man you don't meet every day.


History: The singer, James ("Jock") Stewart, bears the name of a Scottish king, and jokingly boasts of his lands, the many men at his beck and call, and his great wealth.  He bids his listeners fill their glasses with "brandy and wine" -- heavily-taxed, expensive, fancy French liquor, rather than the whisky and porter that was the drink of the common man -- and hang the expense, for they're drinking with "A Man You Don't Meet Everyday!"  This song probably came over to Ireland with the Scottish settlers.  It's been played and recorded by many, including Jeannie Robertson, Archie Fisher, The Dubliners, The McCalmans, The Tannahill Weavers and The Pogues.  The song is also sometimes known simply as "Jock Stewart".


















14. BIG PADDY BLUES - by Jon Sherman

Oh, Big Paddy... (etc.)


History: Written somewhat extemporaneously over various shows... by the time you hear this one, you'll likely have enough pints in you to guess the words by heart


















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